The strike at the factory (Joint Français) began in the artist’s hometown as the starting point of a series of historical conflicts. Corps 72 is witness to a year of “revolution cinema” production. From “L’amour l’après-midi” to “Votez McKay” to “L’assassinat de Trotsky” and many others, Stéphane Le Mercier encourages us to re-read history in the titles with a typeface set at 72 pts.
Stéphane Le Mercier Corps 72
Artists’ notepad, 40 pages, 204x289 mm
978-2-940409-40-2